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They come across valuable diamonds on his person, Ruled by King Augustin, Carpia is a peaceful kingdom in a world inhabited by dragons and knights.

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The land's serenity is unexpectedly shattered by a The love of his life is dead, and he remains Marshall Lawson loses his strike-team in a cold-blooded and seemingly random attack. After this he takes it upon himself to investigate the suspicious circumstances of In , World War I, the bloodiest war ever at that time in human history, was well under way. However on Christmas Eve, numerous sections Once upon a time, during World War II, somewhere in Nazi occupied Romania, a night of comic misadventures ensues when a boy discovers a dead A 19th century vampire stalks a more powerful vampire lord in his quest to gain revenge over the death of his mistress.

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The life of Primo Carnera a. An American girl, Isabella, sets out to make a documentary to understand what happened to her mother who murdered three clergy people. She was not When Nicole comes in contact with Father Anton Corneliu Ulici more and more inexplicable events occur.


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And the wages Wonderfully surreal, painfully real, this is the story of children, adults and animals who live together trying to have a better life, but sometimes death Recounts the life and loves of the physician, astrologer, and famed prognosticator; his encounters with medieval science and the Inquisition; and his early struggles with An elite team of DEA agents are assigned to protect a dangerous drug lord and take refuge in a luxury hotel while they await extraction.

When a hip hop violinist busking in the New York subway encounters a classical dancer on scholarship at the Manhattan Conservatory of the Arts, sparks While traveling abroad, a guy falls for a Romanian beauty whose unreachable heart has its origins in her violent, charismatic ex. Ambassador at an American Embassy in a small, turbulent Eastern The plot is about For everybody, everywhere, everydevice, and everything ;.

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  • Country: USA , Romania. Genres: Comedy , Horror. Watch now Add to favorite. Country: Romania , France , Italy. Genres: Biography , Crime , Drama , Thriller. Actors: John C.

    Genres: Action , Crime , Thriller , Comedy. Genres: Drama , Horror , Romance , Fantasy. Country: Romania , UK , Canada. Genres: Thriller , Horror , Adventure. Mirrors HD HD. Genres: Horror , Mystery. Genres: Thriller , Mystery. Genres: Drama , Adventure , Fantasy. Genres: Action , Thriller. Country: Belgium , Romania , Germany. Historians feel they are taking part in a common work throughout the centuries, hence the practice of continuity in the cases of a number of chronicles which, interrupted at a certain point by their initial authors, are taken up by successors.

    Byzantine historians did not know how to innovate in regard to the truth of the past or in regard to the discovery of new sources. The past was not investigated; however, its memory was passed on from one generation to the next. The literary diversity of Byzantine historiography has to be understood mainly as a variety of genres, types of writing, and literary forms permitted and defined by very strict literary canons, either inherited from the rhetoric of late ancient times or based upon Byzantine rhetoric.

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    Theoretically, personal originality was neither an aim in itself, nor a source of diversity for the various works written by Byzantine authors. Even less legitimate was ideological originality. Ideology was considered to be unique and eternal. It was the ideology of Christian political Hellenism, as it was called, developed in principle in keeping with certain basic elements: the divine origin of the imperial power; the "symphonic" association between the Emperor and the Patriarch, between the State and the Church, in ruling over the fate of society through the mutual support that the lay and the religious authorities gave each other, in spite of their different types of sovereignty.

    There was the oecumenical, universal nature of the imperial power held by the Romei's Autocrat, the one and only legitimate heir to the Roman Empire and the missionary character of an empire intended to Christianize and to civilize the whole world. Since history was expected to glorify the successes and to truthfully narrate the temporary failures of the Empire in the carrying out of its apostolic and civilizing mission, the differences between its narrators could only be personal or related to the evaluation of a certain moment or personality.

    But innovation in terms of the immutable general ideological principles was out of the question. Despite the variety of studies comparing the works of Byzantine historical writing, the corpus can be considered as having a unitary 24 N. This view is supported by the reality that Byzantine historiography was dominated by strict rhetorical principles to the extent that the writing of history represented a literary effort governed by rigid ideological principles and that it was propaganda. There were, without a doubt, both a single Byzantine historiographic language and a single Byzantine historiographic ideology, both of which the present study will attempt to define in a satisfactory way.

    At the same time, Latinisms constitute a differentiating note of Byzantine historiography in relation to both its classical models, to which, in most cases, it adhered very closely, and to the languages of the fields of the Byzantine culture of the periods in question. They also equally represent an element of rapprochement between the language of Byzantine historiography and that currently spoken by the Byzantine people that included a high number of Latinisms.

    Therefore, an analysis of the literary and ideological meaning of the ways in which Latinisms penetrated the language of Byzantine historians serves as a good way to describe the specificity of this language.

    From the Sixth to the Tenth Centuries, Byzantine historical writing made use of a number of Latin words drawn from the vocabulary of the state apparatus. The principal Byzantine offices and ranks had Latin names, as follows: imperium, augoustos, comes, senatores, patrikios, illoustrios, koubikoularios, magistrates, offikia, skrinia, praiphektos, praitorion, noumerarios, primikerios, vestes, asekretis, taboularios, kyaistor, aktouarios, etc. Many terms were derived from the military vocabulary: exerkitos, milites, matrikes, hypokamison, armilausion, kampagos, kampagion, loros, korte, aplikton, kastron, metaton, kourson, kourseus, etc.

    Also, the vocabulary pertaining to the imperial liturgy was predominantly Latin. It expressed an adjusted form of the imperial cult that lasted throughout the history of Byzantium and included the following: modiolon, sensos sentzos , poulpiton, kamelaukion, kaisarikion, toupha, paganos, pallion, fibla, prokensos, prokinseuein, opsikion, moutatorion, kitation, kiteuo, kortina, vela, etc. The same could also be said of the ovations in Latin that were recited at the Byzantine court for the imperial glory until very late in the history of the Byzantine Empire.

    Examples of Latinisms in the vocabulary of social relations and law include the following: phamilia, phalseuma, kodix, edikton, indoulgentia, exkouseia, moultos, annona, kataboukoulon. One category of Latinisms that was quite well represented in historical writing is found in the vocabulary of international relations. Certain Latinisms to be found in historical writing are also identifiable as having been derived from the religious vocabulary: antimission, manoualion, doumnikalion, kellai, sekreta, etc. The vocabulary of chronology was dominated by Latin elements, particularly during the first centuries of Byzantium.

    Not only were all the names of the months in the Byzantium calendar of Latin origin ianouarios, febrouarios, martios, aprillios, maios, etc , but so were also certain elements of old chronology such as nonai and eidoi, as well as more recent elements, such as indiktion. There were many Latin words in the vocabulary of metrology: milion, kentenarion, follis, denarion, modios, monetarios, etc.

    The vocabulary of navigation and transportation also included Latinisms that are frequently represented in historical literature: agrarion, barka, klassikos, veredos, veredarios, karroucha, and lektikion. Finally, Byzantine historical writing between the Sixth and the Tenth centuries has quite a number of Latin or Roman source terms in the field of town planning regeones, phoros, strata, kinsterna, uivariori , architecture palation, porta, skala, portikos , lighting and heating systems kandella, kandelabron, karbounon , food makelles, makellarios, lardi, mouston, bouttis , and race courses velon, velarion, venetoi, albatoi, notarioi, bigarioi.

    The penetration of Latinisms into the language of Byzantine historical writing owed very little as in the case of the learned antiquarian and book salesman, John of Lydos to the Latin sources used by writers in their aspirations to evoke, in very precise terms, a different type of world. The vast majority, of terms of Latin origin used by Byzantine historians are not Fremdwdrter, archaic, or foreign words, but rather Lehnwdrter, i. The appeal to Latinisms can be explained in terms of the need to faithfully depict Byzantine realities.

    These Latin words were used currently in Byzantium. Their occurrence in historical writing resulted from the effect of the spoken tongue upon this type of writing. If one were to measure comparatively the frequency of and the forms under which Latinisms occur in historical writings and in other texts of that time, one might conclude that such writings only reflect, to a minimal extent, the richness of the Latin influence upon Byzantine vocabulary.

    From this perspective, suffice it to compare historical texts rich in Latinisms, such as the Histories of Procopius or the Chronographia of Theophanes the Confessor, to certain very technical writings like Strategikon or the Eparch's Book, by Pseudo-Mauricius, to immediately realize that, out of the huge number of Latin words currently used in Byzantium, historians only chose the strict minimum.

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    This situation occurred because of reasons 26 N. It is also necessary to briefly point out the mistake made by some researchers who, relying on Byzantine historical texts, drew wrong general conclusions about the Latin influence upon Byzantine Greek. Because of the very nature of the literary genre intended to reflect real events, historical writing was forced to resort to Latin words. On the other hand, given its aesthetic role, it had to avoid as much as possible the so-called "vulgar" commonly used Latin words.

    It is obviously and equally true that the high incidence of Latinisms in precisely those spheres of vocabulary that were linked to the direct influence of the state is not a mere coincidence. It actually reflects, at a secondary level, the situation of the first level of the current speech.


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